Hello,
- What the Heart Cannot Forget: 1st solo mm. 34-43, 2nd solo mm. 39-43 (actually a duet with the first soloist). These solos are marked Alto and Soprano but any voices can audition for either or both.
- From the Stone Age: mm. 75-111
- The Circle Game: mm. 6-21 (1st verse) and mm. 89-93 (pause your voice memo recording and restart it for the ending)
- Try to Remember: there are optional solo sections but we will sing these in unison as a chorus
- Seasons of Love: mm. 33-44, 62-77 (optional improvisation mm. 49-61)
Già l’ore sen volano.
Già viene il tuo bene.
Fra dolci catene
Quell’alma vivrà.
– sopranos, note the A#s mm. 30-31
– sopranos, note the G-naturals in mm. 47, 51
– sopranos fix the error in m. 40. The 8th notes should be As not Bs.
– altos in m. 30 you get your entrance pitch from the sopranos
– altos note the A#s mm. 33-34
– altos note the D# m. 39 and think (and sing) the descending half steps high
– altos in m. 40 sing the D# high, leading to the E in m. 41
– altos, mm. 45 and 49 your octave skip up to the A matches the A the sopranos are sustaining
– sopranos note that your part crosses the altos in mm. 47 and 51
– note the unison cadence in mm. 34 and 55
Now I Become Myself – mm. 55-73
– we worked on pitches and rhythms
– note the time signature changes throughout this section. The quarter note stays constant.
– note the breath marks in the score and then add breaths in mm. 58, 63, 65, 66
– stagger breathe through the ending
About Time – mm. 41-70
– we worked on pitches and rhythms
– everyone sang all parts so that we experienced a connected melodic line
– lifts in mm. 43, 48
– note the ‘echoes’ mm. 47-48 are pianissimo
– we will take lots of rubato in mm. 51-54
– m. 51 has an 8th note pickup (previous measures have had quarter note pickups)
– m. 60 lift after ‘mother’
What the Heart Cannot Forget mm. 58-74
– we worked on pitches and rhythms
– mm. 58-61 S1L sing with the A1s, S2L sing with the A2s
Controlled Burn – mm. 137-185
– we worked on pitches and rhythms
– m. 160 there is a typo ‘you’ should be ‘you’ll’
Turn Around – mm. 62-105
– we worked on pitches and rhythms
– note the key change mm. 70-74
– mm. 91-92 provide a harmonic surprise when the altos sing C#!
Try to Remember – mm. 45-91
– we worked through pitches and rhythms
– mezzos and altos note the descending half steps and think (and sing) the descending half steps high so that you “don’t descend into the depths of H3LL” (who said that?!?!)
Wanting Memories – Ysaye Barnwell reminisces and speaks about her inspiration for composing Wanting Memories in this lovely clip: https://www.youtube.com/watch?v=TvLE4P93X-k&list=RDTvLE4P93X-k&start_radio=1
Looking Ahead to 10/12/26
We will work through these measures and as we have time review any of the other pieces. Plan to work on all repertoire at our retreat. 🙂
| Repertoire | 10/12/26 |
| Gia l’ore sen volano | |
| Now I Become Myself | |
| Grown Wild | 64-98 |
| About Time | |
| There Was a Time | 50-67 |
| What the Heart Cannot Forget | |
| From the Stone Age | 151-205 |
| Controlled Burn | |
| Turn Around | |
| The Circle Game | 74-95 |
| Try to Remember | |
| Seasons of Love | 49-85 |
| Time (Chamber Choir) | 41-59 (if we have time) |
| Wanting Memories (Chamber Choir) | 48-90 (priority) |
Hope you have a great rest of your week. If you were out sick, I’m sending well wishes!
Laura