Visit our Concerts page for information about our 2025 season.
See the Previous Concerts page for links to the YouTube videos, concert programs,
and other details about past concerts
Visit our YouTube channel to see all of our concert recordings. Subscribe to be notified of future additions.
We are very grateful to our community, our advertisers, and our donors.
WVC strives to foster a climate of purposeful inclusion. A diverse, multicultural, multiracial choral community enriches a chorus and its music. We welcome sopranos and altos regardless of race, sexual orientation, gender identity, culture, religion, disability, or educational, financial, or class status.
Read our Diversity, Equity, Inclusion, and Accessibility (DEIA) Statement and Goals.
About the Chorus
WVC has evolved into the premier Triangle chorus for sopranos and altos. While performing a wide and diverse repertoire, we remain steadfast in support of our threefold mission to: provide a welcoming place in the Triangle for women to share the joy of singing together, promote choral works written by and for women, and strive to achieve the highest standards of musical excellence.
Read on for more in-depth information about the chorus that’s been called “versatile and innovative” and “a special treasure, worthy of the attention of serious music lovers throughout the Triangle and beyond.”
Quotes
The concert became an experience for the singers to confront the difficult national and global issues of our time. The program … served as an opportunity for choristers young and old and the audience to be heartened not only by the texts but also by the musical style and interpretation of the compositions. —Doris B. Powers, Classical Voice of North Carolina
Women’s Voices Chorus has established itself as a hard-working, enthusiastic musical ensemble, willing to tackle all kinds of challenges, making strong women stronger and sharing their skill and joy of singing with a growing and appreciative audience. —Ken Hoover, Classical Voice of North Carolina
While featuring six choreographed dances of all different styles, the concert also included a myriad of instrumentalists, and every single piece was unique, or had a surprise twist. This extremely diverse program was united by the unbridled joy of the singers and their director. —Chelsea Hunter, Classical Voice of North Carolina